Wytchings
West Syd <3
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✦ Psamathe ✧ Oculus ✧ Neptune ✧ Fear Is A Cold Star ✦
A little love letter for you: I make music because it has this funny ability to both break and mend my heart all at once. Simply put, it makes me feel alive. It means more to me than you’ll ever know.
I feel lucky that my art so far, has led me to connect with some of the most beautiful and talented earth angels – I will always be so grateful for that. Huge thank you and love in particular to the Western Sydney community and to everyone else who have kindly supported so far. ♡
It’s been pretty wild and surreal and wherever the rushes take me, I hope it’s somewhere tender and beautiful.
⋱:･*°･ .¸⋱:･*°･ .¸⋱:･*°･ .¸⋱:･*°･ .¸⋱:･*°･ .¸⋱:･*°･ .¸⋱:･*°･ .¸⋱:･*°･ .¸⋱:･*°･ .¸⋱:･*°･ .¸⋱:･*°･ .¸⋱:･*°･ .¸⋱:･*°･ .¸⋱:･*°･ ⋱:･*°･ .¸⋱:･*°･ .¸⋱:･*°･ .¸⋱:･*°･ .¸
Wytchings is a project from Western Sydney artist, Jenny Trinh. Growing up, she would often be found in the art room, headphones on and doodling until the blank pages of her sketchbook were filled up. Those times with her head in the clouds always brought her comfort – she has always been enamoured by the teleportive nature of music.
She explored electronic music production properly for the first time when she participated in New Age Noise (formerly known as All Girl Electronic), creating dreamy, film-inspired sounds evoking that of space and water.
She has performed at a variety of shows including debuting at Club 4A, Essential Tremors at Phoenix Central Park, curated by Liars’ Angus Andrew, Dark Mofo with Worlds Only, and an upcoming performance at SXSW 2025 as curated by Kurt Lam.
She has also been featured in publications such as VICE, Push Magazine, and Runway Journal, contributed to compilations curated by SYS Sister Sounds, New Weird Australia, and Unexplained Sounds Group; and has co-produced Patamon’s debut single “New Island” and reworked Bluetung’s “Between What Is and What Wants To Be.”
Furthermore, she has collaborated with a number of otherworldly artists like Red Rey, Leeroy New, Sile Ellis & Jada Narkle to create accompanying soundscapes for their movement pieces, which have been showcased at Soft Centre, Sydney World Pride, Yirramboi Festival and Marrugeku. In addition to that, she has done original sound design for ‘Liquid Homelands’ as part of FBi Radio’s Race Matters program as well as for Carielyn Tunion’s ‘i am a deepsea fisherwoman, but i do not catch fish’ as part of CuriousWorks’ ‘Tender’ program at the Sydney Opera House and Fairfield City Museum & Gallery.
Her ‘Neptune’ trilogy is entirely self-produced and features an accompanying visual diary and hand-written zine as well as the single “Fata Morgana”, which was nominated for 'Song of the Year’ at the FBi SMACs Awards 2022 and part of the Wettest 100. Moreover, her Halloween project ‘Fear Is A Cold Star’ led to a self-directed, edited, written, and soundtracked video installation as part of Pari’s exhibition ‘Stain’.
She is currently developing an original score and sound design for Dylan Mangunay and Esky Escandor’s short film ‘Third Eye’, which is set to premiere in late October at the Sydney Opera House as part of Blacktown Shorts Film Festival 2025.
In addition to her solo work as Wytchings, she is also in two bands: Heart Armour featuring Kashif (Kash Bhai) & Zac (roomers) as well as Worlds Only featuring Alister Hill, Darren Lesaguis, Justin Tam (Tzekin), Reginald Harris, Thomas William Smith (T.Morimoto) & Mara Schwerdtfeger. <3
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Psst! Some extra lil piece of history (okay maybe a whole good ol’ bunch of it hehehe) as well some ~diary entries~ about some of my work for you before you head off into the sunset! <3
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